Official sony slog lut9/12/2023 For example, Youtubers and Business owners don't have time to spend passionately learning how to color grade. This route is always the best route if you have passion and time as you will receive your favourite results, because it's from your mind.īut some users just don't have it in them. Some Filmmakers have a very artistic eye and love designing the color themselves. Also of course, LUTs aren't for everyone. Some colorists spend many years color grading different types of Log footage. Being able to place a look onto your footage and have it corrected to a pleasing look while getting more dynamic range out of your camera, is a huge time saver and upgrade! It's an art in itself and it's not something you can learn quickly. This caused a lot of people to get frustrated that they would need to color grade after shooting anything if they wanted the extra dynamic range, especially if they have a quick turn-around on an edit. So let's say, color grading isn't for everyone. One issue that came with this, is that everyone had to learn color grading when using Log. Giving the ability to have a higher dynamic range than standard color, without losing detail in the shadows and highlights. As Sony cameras became more popular, S-Log 2 & 3 introduced many Filmmakers to using Log color profile. S-Log color space was a big driver for many users to learn how to use LUTs. They gave the user everything they needed while capturing, like multiple XLR inputs for audio, high bitrate, low power consumption and much more. Many Sony cameras were becoming the favourite, such as the FS5 and FS7 for professional work. Just like when the A7S1 was released, it revolutionised the industry with it's low-light capabilities and small design. Chapman a drink once I’ve found the perfect LUT for my given project.Sony cameras have been leading the way for many years in the Filmmaking scene. ![]() It’s still a very valuable set of LUTs and I certainly will buy Mr. ![]() This set of LUTs might bring you a little bit of that premium Venice look but it certainly won’t transform your Sony a7III into a full-blown Sony VENICE, that’s for sure. This helps him running his (very helpful and informative) website and as you might guess: Providing this kind of extensive LUT library takes quite some time to put together. Chapman a (virtual) drink of your choice: A Latte for $5, a Premium Beer for $7.50, a Cocktail for $10 or a Singapore Beer for $15. If you want to say ‘thanks!’, you can do so by buying Mr. For further tweaking you can use the very handy online tool called LUTCalc. Keep this in mind and try for yourself if these fit your workflow. It’s not for finishing or polishing your footage but to create an instant viewing output for monitoring on set or for a DIT. The original Venice s709 LUT on which these LUTs are based on is intended to create a first pass look. Furthermore, Alister has created some LUTs for use with S-Log2, so users of the original Sony a7s are not left out here. There are LUTs especially desinged for certain monitors such as Atomos or Zacuto ones, too. In order to get closer to that Venice look you should set your camera to S-Log3 and SGamut3.cine. Since that offical LUT has been designed especially for the 15-stop Venice camera it wasn’t the best for all the other 14-stop cameras such the Sony FS-7, FS-5, F5, F55 or the a7 range, anyways. He created those custom LUTs because quite a few users had problems downloading the official LUT by Sony ( link). You can download these bespoke LUTs directly from Alister Chapman’s own site,. Alister Chapman ( ) has created a set of tweaked LUTs to cater for the needs of different Sony cameras and to bring you closer to the Venice look. ![]() That’s why the official s709 LUT doesn’t work very well with these lower end cameras (if compared from Venice’s perspective) cameras. The new Venice flagship cinema camera, however, is a different kind of beast. Most of Sony’s prosumer to pro cameras sport a dynamic range of about 14 stops. Want the same look for the more budget-friendly Sony FS7, FS5 or even the a7 series of cameras? Not a problem, Alister Chapman has created a whole bunch of Venice Look LUTs in order to get you closer to that special look. Its (claimed) 15-stop dynamic range and especially its superb highlight roll-off produces beautiful imagery, indeed. The Sony VENICE is a pretty decent piece of high-end filmmaking equipment.
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